Film scenery,
for theatres and museums

We make rocks, caves, monoliths, imitation materials, dioramas and props for film sets, theatre stages, events and museum exhibitions. We agree dimensions, visible surfaces and the level of detail with the set design team or exhibition creators.

Film sets · Theatre and events · Dioramas and exhibitions

Fibreglass monolith prepared for theatre scenery
Fibreglass monolith prepared for theatre scenery
1 week
making a monolith for theatre
lightweight forms
easy to reposition on set and on stage
film · theatre · museum
to the set designer's design

What we make
for film, theatre and museums?

On a film set, what the camera sees matters; on stage, weight and quick scene changes; in a museum, precision and exhibit safety. We adapt form and finish to each use.

Rocks and landscapes for film sets – a StoneDeco project

Rocks and landscapes for film sets

Rock walls, boulders and landscape sections. We select colour and texture to suit the scenery concept and on-set lighting.

Artificial rocks
Caves and passages – a StoneDeco project

Caves and passages

Caves, recesses and rock openings that can be positioned, moved and lit to suit the shot.

Grottos and caves
Dioramas and museum landscapes – a StoneDeco project

Dioramas and museum landscapes

Rocks and natural forms tailored to the exhibit composition and exhibition storyline.

Artificial rocks
Imitation architecture – a StoneDeco project

Imitation architecture

Walls, sections of stone walls and stylised details made to the set designer's concept.

Material imitations
Painted backdrops – a StoneDeco project

Painted backdrops

Landscapes and perspectives combined with three-dimensional exhibition or stage elements.

Murals and wall painting

Applications

Set, stage
or exhibition?

The same rock serves different purposes in front of a camera, on stage and beside an exhibit. That is why we begin with where and how it will be viewed.

ApplicationWhat matters to usTypical elements
Film setdetail where the camera looks; changes on setrocks, caves, boulders, trunks
Theatreweight, durability, quick scene changesmonoliths, table tops, rock platforms
Event and premierean effect visible from a distance, quick installationrock backdrops, props, greenery
Museum and exhibitionexhibit safety, information about materialsdioramas, imitation walls, painted backdrops

Ordering step by step

Set design
step by step.

We plan the schedule backwards from the filming day, premiere or exhibition opening.

How we work
  1. Design and deadline

    The set designer's design or sketches and the installation date.

  2. Visible surfaces

    We establish what is in shot or in front of the viewer, and how to divide the elements.

  3. Production

    Castings, GRP, painting and ageing in the workshop.

  4. Delivery and adjustments

    Transport, installation and fitting elements on site.

Decoration for the shot and the stage

  • Visible surfaces

    We concentrate detail where the camera or viewer looks. The back of the decoration can be simpler, reducing time and cost.

  • Deadlines and changes on set

    Filming and premieres have fixed dates, so we plan the schedule backwards from installation day. On a film set, we adapted the decorations when the concept changed on site.

  • Weight and reuse

    GRP and fibreglass are lightweight. The forms are easy to reposition, transport and reuse in another scene or season.

  • Alongside exhibits

    In museums, we prepare decorations so they do not endanger original exhibits or obstruct viewing. We provide information about the materials used on request.

For a scenery quotation

Design or sketches, list of elements, dimensions, filming or opening date and transport information.

Request a quote The initial conversation carries no obligation.

Film scenery: rock that looks good on camera

On a film set, decoration must convince the camera – often up close and under strong lighting. Texture cast in moulds taken from real rocks and hand painting in layers make the rock look unlike a prop. Example: rock decorations for a film set – a cave and boulders to the set designer's concept, with details adjusted during work on set.

Theatre and event decorations

On stage, weight, durability and quick scene changes matter. GRP elements are lightweight and rigid, so they can be carried, rotated and used across many performances. For a theatre, we made a monolith, sphere and rock tops from fibreglass, hand-painted to the design.

Museum scenery and dioramas

In museums and exhibitions, scenery provides context for exhibits: the landscape an animal lived in, a section of historic wall, a cave or a vista. We work with the exhibition storyline and the set designer's design, preparing decorations so they do not endanger original exhibits. We combine three-dimensional forms with painted backdrops, and discuss stylised walls in the article Themed walls in restaurants and museums.

What do we make scenery elements from?

  • GRP (glass-reinforced plastic) – lightweight, rigid and moisture-resistant; for rocks, monoliths, caves and imitations.
  • Silicone moulds – for casting textures and repeated elements. More: silicone mould production.
  • Hand painting – colour and ageing adapted to lighting on set or in the room.

How does a project proceed?

  1. Design or sketches and the installation date.
  2. Agreeing visible surfaces, divisions and positioning.
  3. Workshop production with a schedule planned backwards from filming or opening day.
  4. Delivery, installation and any on-site adjustments.

See also imitations and bespoke forms and artificial rocks.

Set design
– questions and answers

Information before commissioning work.

Ask your own question
Do you make scenery to a set designer's design?

Yes, this is the most common arrangement. We receive a design or sketches and prepare elements for production: selecting material, divisions, texture and colour. We made the monolith, sphere and rock tops for theatre to a supplied design, and the monolith took a week.

Are the decorations lightweight and easy to transport?

Yes. GRP and fibreglass elements are lightweight, so a crew can reposition them on set or on stage. We divide larger forms into parts that are easy to transport and assemble.

Can you adapt the decoration on set?

Yes. On a film set, we adjusted elements when the scenery concept changed on site. For productions with fixed deadlines, we allow time for adjustments.

Do you make dioramas and scenery for museums?

Yes. We make rocks, tree forms, imitation walls and painted backdrops for exhibits. We work with the exhibition storyline and the set designer's or architect's design, planning installation outside the gallery's opening hours.

How much does bespoke scenery cost?

The cost depends on the number and size of elements, the level of detail on visible surfaces, the deadline and transport. We prepare a quotation from a design, sketches or a scene description.

We'll quote for your project
decorations for the set

Your message only needs to tell us what you want made, where and by when. We will discuss production options and the information needed for a quote.

Send a finished design or simply an idea.
The initial conversation carries no obligation.

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